"Avoidance" is a collection of nine pop songs exploring the paradox of
creation through non-action. This work examines the productivity found
in stillness, the growth that emerges from passive engagement, and the
illumination that occurs in spaces deliberately left vacant.
The album investigates the multifaceted nature of avoidance in our
lives, examining when withdrawal preserves us and when it hinders us. It
questions how we navigate the delicate equilibrium between engagement
and retreat in an increasingly fragmented world.
Conceived as a danceable pop album, "Avoidance" deliberately employs
simple, repetitive structures that mirror the monotony of contemporary
work life; the cyclical pattern of weekdays followed by brief respite,
repeated endlessly through decades of existence.
Beyond critiquing work culture and exploring my personal relationship
with avoidance, the album weaves narratives around subjects that
fascinate me: the dangers of parasocial relationships, the economics of
attention, meaningful confrontations with mortality, and political
figures like Fanny Kaplan and Neil Clark, all united through the
philosophical lens of monism.
"Avoidance" embraces love as a lens through which our societal structures and imposed values become most visible. Through
intimate narratives of connection and disconnection, "Avoidance"
reveals how our personal relationships mirror broader systemic tensions;
where exploitation meets yearning, abandonment confronts truth, and the
struggle to authentically express ourselves reflects our collective
human experience in a world that often demands we look away.